flashback: Carrie’s style (Sex and the City)

I was called out of work today, and being broke as a joke, a few points this weekend have opened me up to trips down memory lane. Cleaning out my cupboards (when you live in a place alone for four years, stuff can accumulate), organizing iPhoto, and this morning, reading excerpts from my handwritten high school journals (stickers and metallic ink, anyone)? Anyway, all that prompted me to seek out my old(est) website and then look in my folders for my carefully kept files from my old Glamour Junkie website. It’s been offline for a few years now but looking back on some of my work, I did such a great job (self-applause), piecing things together. So in honor of Sex and the City 2 being in theaters, I decided to post these pieces I did (in 2005!) and celebrate Carrie’s style, which still rules no matter how many years go by. So without further ado, an archive from Glamour Junkie history.

May 7th, 2005
Carrie Bradshaw (portrayed by Sarah Jessica Parker) is the star of the hit HBO series, and it’s easy to see why by her style. She is the most versatile–she chooses everything from vintage to uptown couture. She knows fashion. She bought Vogue instead of dinner when she first moved to the city because it “fed her more.” While her fashion choices are “out there” at times, she always goes for it and looks unique and amazing all the time, never falling into a rut. While she loves her clothes, shoes will always be Carrie’s vice, especially Manolo Blahniks! Carrie will forever be a trendsetter–and an inspiration to shopaholics everywhere.


Not Pretty Winter

I was 17 when I wrote this, and probably 19 when I wrote the “commentary” for the website I had at the time. I still love this piece, though. So be kind!

Commentary: This was a school assignment given to me in late November 2002 by Mr. Coolidge, a teacher I will always remember. The assignment was to sit outside in nature for 20 minutes and write a prose piece about what we observed. The other students grumbled, but I was ecstatic–it wasn’t often that year that I was given the chance to be so creative and descriptive, the two aspects of my writing style I most enjoy. This piece didn’t have a title, but I decided to title it after a phrase in the first line, that I thought was quite intriguing.

It’s not pretty winter outside. It’s the kind of winter that came too quickly and didn’t let autumn finish. It’s bitter cold and viciously windy. The gusts of wind blow the leaves around and make them dance on the hard, icy snow. The leaves aren’t bright anymore, but instead are all the same monotone shade of brown, crumpled and floating over everything, clinging desperately to the tree limbs.

The sky has bunches and bunches of clouds, the colors ranging from off-gray-white to deep, forboding charcoal. In tiny pockets, little pieces of baby blue sky peek through. The wind keeps gusting, right through my clothes, sucking the breath out of me. It is so cold. Everything is icy and slippery.

The only colors are gray, black, white and brown; different shades. The spindly gray tree branches scratch at the sky, the crumpled fragments of unfallen leaves still clinging to them in the wind. Plants that were once lush and green in the summer have died and withered, turning into a fragile web of delicate brown stems and shriveled leaves, dark in contrast to the gray-white snow, like old Victorian lace.

There are some adorable, gray, round-bellied birds sitting at the feeder. A chickadee perches on a branch for a few seconds, cocks her head, and flies away. They’re so skittish, they seem to live in fear of everything. I would hate to always feel like I had to run away from something that might hurt me.

Night falls quickly, and the sky becomes dark with clouds, transparent where the almost-full moon shines bluish-white through them. The wind is howling fiercely, making the most haunting noises as it rushes through the trees. It is frighteningly noisy, and not at all peaceful or calm. The navy blue velvet sky above is open in places, revealing a few glittering stars.

Isabella Stewart Gardner Museum

Note: Dated
When: August 18th, 2005 | Where: Boston, Massachusetts

My [former] grandmother-in-law and I stumbled upon the Gardner Museum completely by mistake–credit my forgetfulness. We were supposed to be visiting the Museum of Fine Arts during our Boston visit, but I (naturally) forgot the all-important discounted passes I made such a fuss about getting from my local library. Kate had mentioned something about this to me one time when we were waiting at the DMV (that’s a whole other story!) and it seemed interesting; neither one of us had ever been before. I wasn’t sure what to expect–something along the lines of an old lady’s house. I didn’t expect it to be so grand or so impactive.

A little background: Isabella Stewart Gardner (married to John L. Gardner) was a wealthy socialite in the mid 1800s (1840-1923); she loved Boston’s local culture almost as she loved traveling the world. Her passion was apparent from the moment we stepped into the museum–at one time, the Gardner Museum was her home–and an incredibly stunning one at that; completely unique from anything you could possibly imagine. All 2,500 works of art, sculpture, furniture, tapestries (13 of its finest–estimated at $100 million–were stolen in 1990 and are still missing)–ranging from ancient to mid 19th-century and collected from over 30 countries–have been preserved (for the most part) the way she had arranged them, because that was her parting wish–for all the beautiful things she collected on her travels to be displayed for posterity.

The collection amassed at the Gardner Museum is something more stunning than any museum display I have ever seen. Instead of the harsh halogenic glow and curated atmosphere; I felt as if I had been taken back in time, looking into each room, at each painting, at each sculpture. The courtyard is the most notable–the museum is built around it; with its 240 A.D. mosaic surrounded by stone statues and a graceful fountain on the back wall. It is serene, beautiful, magical; untouched and essentially unchanged since Isabella was alive. Kate and I were completely slack-jawed in amazement as we visited each room, commenting on things as we passed. What struck us most was the intricate detail of everything, and the rich, beautiful history–the art was sensational and deeply moving.

The only way to explain the enchantment of the Gardner Museum is to go there yourself. It’s such a gem of Boston. The things that I found the most interesting were the furniture (you just don’t see curves, paint detailing, scroll work) like that anymore–it’s all pre-fab and everyone’s got the same stuff unless it’s antique) and the ancient Greek sculptures, as well as the religious art. Isabella was a brilliant decorator. She styled her home in an Old-World eclectic style, mixing things from different places and times and arranging them in often quirky and atypical ways. Our visit was fascinating and inspiring–I truly think it was a one-of-a-kind experience I was lucky to have.